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Daybreakers offers enough dark sci-fi thrills and enough of a unique twist on the genre to satisfy filmgoers. It's 2017, and the undead far outnumber the living in this horror film starring Oscar nominee Ethan Hawke (TRAINING DAY). A virus has spread across the earth, turning its inhabitants into vampires. With their blood supply dwindling, the vampires must find a way to sustain their source of food.

Sans teen angst or coifs, Daybreakers is set a decade after a vampire plague has swept the globe, the remaining human population no more than rapidly dwindling food stock. To grab life by the horns in the daytime, the well-heeled undead tool around in sunshield-bedecked Chryslers. Meanwhile, a crusading hematologist played by Ethan Hawke searches for a blood substitute to save the vampires from starvation -- and humans from extinction.

Riding to the possible rescue in a modified muscle car is Willem Dafoe as a lapsed vampire whose re-humanizing could mean a cure, killing two bats with one stone. The corporate villains, led by Sam Neill, would rather cling to their upper-class status than address the problems. Hence, some chasing, some soul-searching, some excellent cranial explosions and spontaneous combustions (vampires apparently have hellacious allergies to splinters).

Daybreakers may be harboring a message under the eruptions of gore: It depicts the exhaustion of resources by the powerful, who are even more addicted to profits and cars than blood. And the "cure," for the curious, can be rephrased as a Louis Brandeis commonplace for speaking political truths. Any higher intentions are brought crashing down by predictability, wooden characters, giggle-inducing attempts at scares (shrieking bats, anyone?) and cinematography so gloomy it should be checked for serotonin deficiency.

This isn't the film to relieve our collective vampire fatigue. But perhaps it's nothing a spin in a brand-new Chrysler couldn't cure - review by Michael Ordoña.

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